Hello
again!
Forget what you have heard - forget
what your friends have told you, the simple fact toward achieving success in watercolor
painting, is through its “simplicity.’’ No other medium can boast such a claim.
So, let’s now condition our minds once more; repeat after me; “My Success will
come from Simplicity and Confidence.”
Great, you are getting the hang of
it. In almost everything we do, the most important
aspect towards achieving success will come from acceptance and the will-power to succeed.
Shawn Stoffel |
First, I thank you for your time in choosing to read my watercolor blogs. It is
such an honor to share with you everything I have learned from my
mentor Jim McNeil. Jim was an amazing watercolor artist, friend, and teacher. My watercolor blogs share
a combined watercolor experience that presents you with the amazing opportunity
of learning decade’s worth of valuable knowledge in the watercolor arts.
Let’s begin today’s lesson. We will
be shedding some light on the subject of watercolor
paper. Watercolor paper varies tremendously from one maker to the next. It
comes in many different sizes, weights (thicknesses), tints, surfaces, and are constructed
of different materials. Most papers are cotton or linen. Some are made of flax,
jute, hemp, bamboo, rice straw or rattan. Cotton papers are often times more
popular due to its high quality, durability, and availability. Watercolor
papers have different surfaces. The common surface styles are; rough, cold
press, and hot press. Watercolor papers can be purchased in rolls, sheets, and
blocks. Blocks generally contain a stack of pre-cut sheets that are glued on
all four edges, which hold the stack together. You can also find many varieties
of low to high-quality home-made papers
available. Whatever paper you decide to purchase and use, you should understand
a few simple, yet important characteristics.
A Realistic Painting example |
A Detailed painting example |
A Loose painting example |
After you have determined your image painting style, and you have selected the best paper surface texture for that style, next, you will need to determine the weight of paper you want to use. Common weights from thinnest to thickest are; 90lb, 140lb, and 300lb. The 300lb papers are practically indestructible, and can take a lot of abuse. As you get down to the thinner papers like my favorite, the 90lb, you will
notice that they require a lot of finesse. They buckle when saturated, and are less durable when lifting out paint.
Combined styles painting example |
10 different brands/weight papers. Notice the dispersion differences. |
Examine and study how your paper absorbs
water into its fibers, how it disperses water outwards, and how the pigment
does the same. Experimentation, and the understanding of paper characteristics, along with getting
plenty of practice will lead you towards selecting the most appropriate papers
for your art style.
“My Success will come from
Simplicity and Confidence.”
You didn't mention sizing. Will you talk just a bit about sizing sometime?
ReplyDeleteSizing? Watercolor paper comes in rolls,sheets, and blocks. The artist determines the size of the painting. It can be any size the artist chooses it to be. The wonderful thing about framing, is that it can accommodate any size painting. Just imagine what size would best illustrate your image best. For instance, unless I plan on selling a painting of an insect to a museum, I wouldn't want to create it on a 30 inch by 22 inch sheet. That would look funny.
ReplyDeleteI think she meant that paper coating that can be washed off, not the dimensions.
DeleteI think she meant that paper coating that can be washed off, not the dimensions.
DeleteThank you Melody. That's what I did mean. I did some research on my own and came up with some satisfactory answers.
ReplyDelete