Hello everyone thanks for joining me.
Today we
will talk about the importance of skies in watercolor art.
The Sky tells all. |
To get started, let’s prepare our minds for learning
something new. To do that, you must forget what you have heard - forget what
your friends have told you, and remember that the simple fact toward achieving
success in watercolor painting, is through its “simplicity.’’ No other medium
can boast such a claim.
Superb! If we tend to always hold onto what we think is
right, we make it difficult for ourselves
to learn new perspectives. Learning new perspectives allows our capabilities to
expand.
It is
my mission to expand your capabilities in watercolor, but, expand them with
confidence. Confidence is what takes us into the unknown. The unknown is where
the creativity within us will be found. And it is through creativity that will
set you apart from everyone else. It is a path that all successful artists must
take.
Skies
are one of the most important elements of realism in art. I am not talking
about realism as portrayed in a perfectly recreated photograph painting. No, I
am talking about realism as an element of feelings, emotions, and life.
Before
we go any further, there is one thing I want you to do right now. And that is
to stop using the word sky. I know, you think this is a strange request, right?
However, instead of using the word sky, replace it with the word mood. Mood
suggests a state of mind. It is through the sky that exhibits the greatest
sense of emotion and feeling within a work of art. Look at any painting that
offers a glimpse of the sky, and decide if that sky sets the whole mood for the
rest of the painting? Yes, if that artist truly understood the significance of
the sky, as portrayed as mood, emotions, and feelings, then that mood (the sky)
should have set the tone and atmosphere of the entire painting.
Without the sky, what other element would create mood? |
Often
times the mood (sky) is not thought of as something so delicately required.
Instead, artists get so caught up into over-expressing a material object within
their work, and that object had no impact on the paintings overall tone,
atmosphere, emotion or feeling. Ask yourself, what emotion would you feel from
a stormy sky? What emotion would you feel from a bowl of fruit? I hope that the
stormy sky invoked the strongest of emotion.
Now that you understand the real significance
of the sky, you should also understand how to respectfully present it. Artists
have many ways of painting in their skies. Some paint them in before anything
else, and others wait until the end. Whatever method you choose to use, there
are a few techniques that you can employ to strengthen the mood. Skies do not
need to be created with such realistic detail, as can be found in photographs. Sometimes
you will lose a lot of potential mood by overstating something, especially the
sky. Skies are full of color, that color creates the mood. An angry sky has
deep dark colors, and a weak sky may have just one simple soft color. Whatever
colors you choose to use, must be reflected throughout the rest of the
painting. This is the one key element that helps mood flow. For instance, a
painting of a white house in winter, with a sky colored in the shades of orange
and yellow tones makes no sense. Is it summer or is it winter? Create the mood,
but do it realistically. It has to make sense. Yes, a summer sky in a winter
scene is creative, but the mood gets confused.
The sky sets the mood for the entire painting. |
The
best practice for creating skies with perfect mood is by observation. Observe
what looks real, add some strengthening mood elements to it, and let those elements
flow throughout the rest of the painting. For creative and imagined skies, any
color works, but again, those colors used in the sky should be reflected
throughout the rest of the painting.
Through my personal experience, I paint
in my skies immediately, before anything else. This gives me something to
follow, the mood for the rest of my painting. I highly enjoy creating my skies
with tones of indigo. I often mix in some shades of raw sienna, cobalt blue,
cobalt violet and a hint of light reds. For my all blue skies, shades of cobalt
blue, cobalt violet, and shades of raw sienna are used. Whatever colors you
choose to use, just be sure that you emphasize the mood of the painting using
the sky. It is a very important element.
The Mood, the Atmosphere, the Emotion. |
Good
luck, enjoy, and create some spectacular moody paintings.
Your work is very beautiful! My grandfather is a "known" watercolor painter in Iceland. He paints the nature of Iceland and specially the north part of the island where we are from. I should show you his work sometime. I like the last picture - love the snow! Like the creativity of your blog and keep up the good work!
ReplyDelete